Cannes Film Festival, high heels change everything

This post may contain affiliate links. This means that if you purchase something through this site I may earn a (dreadfully small but much appreciated) commission at no extra cost to you.

I’m sorry feet. I really am, but at the Cannes Film Festival, high heels change everything. They’re a painful fact of life.

UPDATE: This story was written before #HeelGate in Cannes, a controversy, which, for someone who can barely stumble around in heels, is ridiculous. We should make men wear ’em. I’ll put on a tux.

We never wear flats! Because we’re starlets!

High heels in Cannes

High heels are especially important when you’re walking the red carpet, or, like me, have no film expertise, have not written a screenplay or produced anything other than a musical (which I also wrote) in Grade 6, and have nothing, really, to show for yourself except a blog and a willingness to kill yourself tottering around on spike heels.

Now come on, feet. At least I’m not making you walk around in the four inch Louboutins! You should be grateful.

Famous people going up the red carpet at Cannes! No, I can’t see anything either!

Here’s my ‘Cannes Film Festival, high heels change everything’ day

Over a solitary meal, an endive salad with walnuts and blue cheese (yum) at an outdoor table at New York New York, just across from the Palais, which is the epi-centre of the Cannes Film Festival universe, I enjoyed my first celebrity sighting of the afternoon (spoiler alert: it was also my last), one of the cast members of Timbuktu, a movie here garnering good reviews and some surprising Palme d’Or buzz.

Cast of Timbuktu. I saw the guy with long hair on the street! But didn’t get a photo! Sorry! I was busy eating a salad!

Eating a salad at Cannes – get your breaking news here first

Sitting in the sunshine, and glad to sit down since I was wearing heels (rust suede, and very soft so I won’t get blisters except I eventually did) I also experienced that unpleasant sensation that because you are a woman alone, people think you are not actually here to eat a salad, but to get picked up. Why is that? If a man was sitting here in high heels no one would think that. Or then again … well, you know what I mean.

Anyway, after my exciting salad and celebrity sighting, I was crossing the street over to the Palais to try and get into Party Girl (spoiler alert: I should have lined up earlier) when a German woman stopped me.

“Excuse me, we’re doing a documentary for a German magazine on fashionable women at Cannes, would you mind posing for it?”

Wandering Carol rocking some glamour at Cannes

I’m a celebrity!

Yes! The high heels and sore arches have paid off! This is what happens when you wear heels during the Cannes Film Festival! Finally I fit in!

“Of course,” I said graciously. Making the most of my moment in the glitzy-Cannes-sun, I started doing a few diva moves, hand at my head, hands on my hips, smizing, come hither-eye-ing, until I couldn’t think of anymore poses I’d seen on America’s Top Model, at least not without an elephant, a trapeze or a barrel of mud as an accessory.

The plot always thickens at the Cannes Film Festival

“Great,” said the woman. “Now can you answer a few short questions? How old are you?”

“Oh. Can I lie? 40?”

“If you are 40 then you can’t be in it,” the woman says.

“It’s about OLD people?” Yes, my friend, it was an article about fashionable OLD people at Cannes. The champagne bubbles stopped bursting in my head, though I did start to laugh.

“Not old,” she said kindly, “just middle.”

Oh, that makes me feel SO MUCH BETTER.

Life continues after your ego has been blasted at the Cannes Film Festival

After I couldn’t get into Party Girl, I took a seat in my ‘office,’ a set of low steps outside the press room where I can get wifi, and started looking at my iPhone.

I wasn’t too upset about not getting into the movie (not compared to being in an article about old people in Cannes) because I’ve already gotten into 3 movies (and if you don’t want to know what happens in them skip the next three paragraphs).

A true glamour girl who will never be mistaken for a fashionable old person. Until she’s old.

Wandering Carol’s Cannes Film Festival review of That Lovely Girl

10 second review of That Lovely Girl by Israeli director Keren Yedaya. Painful. Vomit. Incest. Emotional abuse. Cutting. Blood. Sleeping with father. Upset when he two times. Sleep with random group of men on beach. Redemption. A movie you don’t forget. No matter how much you’d like to.

Wandering Carol’s Cannes Film Festival review of Amour Fou

10 second review of Amour Fou, by German director Jessica Hausner. Beautifully composed. Each shot like a Hans Holbein painting. German Romantic poetry. Based on true story. Claustrophobic. Slow. Bizarre premise, that you would rather die with someone than live with them. No! Don’t go! Don’t do it. Explosion. Oh, oh!

The cast of The Blue Room, plus the top of some guy’s head

Wandering Carol’s Cannes Film Festival review of The Blue Room

10 second review of The Blue Room by French director Mathieu Amalric. Sophisticated. Grey (even though it’s called ‘blue’). Lots of nudity and twisting around on the sheets, ending up in graceful yet explicit poses. What’s going on? Suspense. Drama. Oh, bloody hell.

Back to my ‘Cannes Film Festival, high heels change everything’ day

As I was sitting on the steps, a Brazilian man I’d met on the same steps the day before, the one who’d told me I have a spiritual face, sat down and told me how he’d got an invitation to one of the premieres at the last minute, but it was the one day he hadn’t brought his bow tie and so he couldn’t get in, because if you’re a man you can’t walk up the red carpet without one. And how a producer told him that you could make a professional movie for $3,000. (Atom Egoyan, look out!)

“After I met you I told my friend that you had the lips of an angel,” he said, switching topics.

How old are angels, I wondered?

“I would like to invite you to dinner.”

Whoa, didn’t see that one coming. “I don’t think my husband would appreciate it,” I told him.

This is when the Brazilian man told me I should live. Live! “There is a physical connection between us,” he said. (And this is really rude of me to tell you all this on my blog, because I’m sure he didn’t realize what he said would then be published, so be careful, people, about what you say to strangers, high heeled or not.)

And then he said what?

“In a few years you’ll be …” He stopped when he saw my eyes narrow.

If he says one word about me being old, one of these rust-coloured high heels is going to start flying, I was thinking.

“Um, in a few years you’ll regret not taking a chance,” he said. “How long have you been married?”

“I’m a newlywed!”

“Oh. Well. Don’t answer now,” he said. “I’ll be here tomorrow at 1. Think about it.”

I’m thinking about it, all right. I’m thinking that tomorrow I’ll wear flats.

Read more about Cannes:

Cannes Film Festival opening night

Cannes 2014 blog report

Why I’m going to the Cannes Film Festival and staying in a convent 

Read more on the sexy South of France: Visit my travel blog post What to do do in the South of France for ideas about where to go, what to see and what do there.